Attack of the Flickering Skeletons by Stuart Ashen [Book Review]

Attack of the Flickering Skeletons - cover

Not too long ago, I reviewed Stuart Ashen’s book Terrible Old Games You’ve Probably Never Heard Of – a book which probably should carry a government health warning for its embarrassing tendency to make you uncontrollably laugh out loud in public. Now he’s back with more of the same in the intruiguingly (if long-winded) titled Attack of the Flickering Skeletons: More Terrible Old Games You’ve Probably Never Heard Of.

Quite sensibly working on the premise of “if it ain’t broke, don’t fix it”, the book mostly provides more of the same. Pretty much the same rules are applied when it comes to game selection (none of the usual suspects like ET or C64 Chase HQ, computers only; no consoles) but (perhaps depressingly) this still leaves a very broad selection of games from which to choose.

The format, too, is on the same lines. Ashen reviews a number of games in his own inimitable style, pointing out why they were so bad and generally giving them the mockery they deserve. This is backed up with full colour pages containing lots of images, making the book visually appealing, as well as funny. To give Ashen a break (and presumably allow him to go off and play something half decent), there are also occasional contributions from other gaming people (such as fellow YouTubers or former game developers). And just in case you think Ashen is unfairly picking on certain games, he also includes some review scores, showing his views were also shared by professional reviewers at the time the games were released.

On the whole, this format works well. The book looks good, there’s a varied selection of games across multiple systems (8 and 16 bit) and the short, pithy entries are very readable. Ashen has a way with words and manages to write about some fairly mundane things in a funny and engaging way…

…And yet, despite all these positives, I didn’t enjoy Flickering Skeletons anywhere near as much as the first book, and I’m not really sure why. Possibly it’s because I read both books fairly close together so maybe I’d just had enough by that point and should have left a longer gap before reading the sequel. Possibly it’s because I was more familiar with Ashen’s style so wasn’t caught quite so unawares by his sometimes wacky, sometimes wry observations, meaning they elicited fewer belly laughs. Possibly it’s because you could argue that this book is essentially “The Second Most Terrible Old Games You’ve Probably Never Heard Of” and the titles that really deserved ridicule had already received their comeuppance in the first book (although given how much dross was released, this is probably not the strongest argument!)

Don’t get me wrong: Flickering Skeletons is not a bad book by any means; in fact it’s a great one. It’s just that the bar was set so high by the first book that it was always going to be a tough ask to follow it up. It’s not that I didn’t find it funny – I smiled and sniggered my way through it; I read out occasional short snippets to Mrs RetroReactiv8 and even she (as a non-gamer) smiled at some of the absurdities. But there’s the thing: I only smiled and sniggered; with the first book I frequently laughed out loud. I only read occasional snippets to Mrs RR8; with the previous book I read whole chunks or even complete entries. Somehow, it just felt a little bit less than the first one in every department.

Do I regret buying it? Not for a second. Would I recommend it for purchase? Absolutely. Just be aware that (for whatever reason) you might not find it quite as hilarious as the first entry. If you bear that in mind, you’ll be fine. And just to emphasise the point that this is not even close to being a bad book: if a third title in the series were to be announced, I would pre-order it like a shot.

Attack of the Flickering Skeletons is available from Amazon for around £8 (hardback) or £6 (Kindle).


Book Preview: 8 Bit on a Budget by Kieren Hawken

On RetroReactiv8, I tend to focus on reviews (either of old games or new retro-related products.), rather than highlighting upcoming products. Occasionally, though, I like to get behind projects I think look interesting – the excellent Hyper Sentinel was one; the (hopefully) forthcoming book Virtual Cities another.

8 Bit on a Budget, written by regular Retro Gamer contributor Kieren Hawken is the latest to catch my eye. It’s a book that celebrates the best of budget label releases – that phenomenon of the mid-late 80s where games were suddenly available at pocket money prices. Of course, many budget games were awful (Bionic Granny – I’m looking at you), but a significant number – whether original releases (Dizzy, Thrust) or re-releases of previously full priced (Bubble Bobble, Cybernoid) titles were excellent – better than some full-priced games

The book is being published by Unbound, which operates on a crowd-funding model. In order to guarantee a minimum number of pre-orders, people interested in the title can pledge their support. Once the funding target is reached, the book will be published.

You can find out more on the Unbound website. The campaign seems to be struggling a little at the moment – it’s been stuck on about 5% for a while now – so if you think this sounds like a book for you, why not pledge your support and promote it a bit on your own blogs or social media channels?

Bounder [Game Review]

Bounder title

Bounder was not a game I played much in its original C64 incarnation. I think I did eventually own it, but by that time I had so many games that I only ever really played a handful of my favourites. As such, I came to this new mobile version of Bounder with a fresh eye.

For those of you who don’t know, you must guide a tennis ball through a maze of tiles, gaps and other hazards to the goal at the end of the level. As the ball bounces, you have to time connecting with solid surfaces to enable you to clear any gaps between tiles, and this is nowhere near as easy as it sounds. There are bonus tiles scattered around (often in awkward places), which reward you with things like points or extra lives when you jump on them and this provides an added risk-reward mechanism.

The first thing to note is that this is a complete recreation of the original game for modern platforms, rather than an emulated version. On the whole, this is a good thing. It means that the game avoids any of the lag or glitches of emulation, and it runs smoothly on my Android device with no issues. There are times when it is perhaps a little too faithful, and incorporating a more modern approach might have been beneficial – more on this later.

Bounder certainly doesn’t skimp when it comes to the presentation. There are three versions supplied, all available from the start: the Commodore 64, Amstrad CPC and Spectrum games. If you could say nothing else nice about Bounder, the developer should be applauded for avoiding use of in-app purchase or forcing the player to unlock the different versions by completing particular challenges or milestones.

To get a sense of how faithful the game is, I loaded up the old C64 version and compared the opening levels with this new version. I was impressed. As far as my (untrained) eye can tell, the graphics and level design are spot-on. I assume it’s the same with the others, although to be honest, I mainly stick to the C64 game because (all bias aside), it’s the best. The colour scheme of the Amstrad version is a little too garish for my taste, whilst the monochrome Spectrum version looks good but can make it tricky to spot the surfaces which can be bounced on safely.

Bounder C64

The graphics on the whole are functional and serviceable, rather than impressive (as was the case with the original). It can initially be a little tricky to distinguish solid platforms from steep (and deadly) drops and early games involve a certain level of trial and error. You’ll soon learn, however, that patience is a definite virtue when it comes to playing Bounder.

Sound is excellent and will particularly be appreciated by those of us brought up in the 8 bit era of chip tunes. The bouncy, fun tune that accompanies the game is perfectly suited to the action and will soon get into your head and you’ll find yourself humming it at all sorts of odd times.

As previously mentioned, the game is a very faithful recreation and that this is something of a double-edged sword. Like the original, the gameplay is rock hard. There’s a lot of trial and error involved; you will die frequently and quickly (there’s a reason you get more than the usual 3 lives and can pick up extra ones) and Bounder makes no concessions to modern gaming sensibilities by easing up. Bounder is one tough game and there are times when the balance between challenge and frustration tips too far in the direction of the latter. Practice and patience do pay off though: every time you play, you get just that little bit further and, because it is so challenging, you feel a much greater sense of achievement when you finally complete a level. However, the very high difficulty level has the potential to put people off before they’ve really got to grips with it. This is one of the areas where the game is just a little too faithful – toning down the difficulty (or at least offering different levels of difficulty) might have made the game more accessible for casual/non-retro gamers.

The other area where the game is a little too faithful is in the use of level password codes, allowing you to skip levels already completed. I am King of the Wrongly Written Level Password. If there is a letter I can miss out or transpose, then trust me, I will. Whilst it would have been a diversion from the original, allowing you to choose your starting point from a level map would have been a more user-friendly approach.

Finally, we have to address the bane of mobile gaming: the controls. Here it’s a case of The Good(ish), The Bad(ish), and the Ugly. Taking them in reverse order, the Ugly is the virtual joystick (the default option). For a game that requires such precise control, it’s just not responsive enough and, despite being transparent, can make it difficult to see some hazards. Swipe controls are better, but I still didn’t find them responsive enough and found myself frequently dying because of that, rather than through my own ineptitude (although I did die plenty of times because of that too!)

The big surprise is the Tilt controls. With a bit of practice, these give you that fine level of control that you need. It’s still not perfect and it’s too easy to die because you tilted your phone just a bit too far, but I found it’s the one that works best. Even so, it would be nice to see the developer add support for a Bluetooth controller in a later version. For this reason it’s likely that the planned Switch or PS Vita versions will be even better, thanks to the physical controller.

Bounder is available in two versions: a free, ad-supported version and a paid-for (£2.49) version that gets rid of the ads and has more levels. At that price, it’s a great buy that offers a massive amount of challenge. It’s not a game you’re likely to play in long spells (at least not without throwing your phone out of the window in frustration), but its addictive nature makes sure you’ll keep coming back. On the strength of this, I can only hope that the developer tackles some more of Gremlin’s back catalogue.

This recommendation does come with a small caveat as the unforgiving gameplay will not be to everyone’s tastes. I’d suggest downloading the free version and giving it a fair go (that means you will need to practice and be patient!). If you like that, the small price to upgrade to the full version is more than justified. If you don’t, at least you’ve had a brief history lesson and learned how tough games used to be before infinite lives and regular save points!

Note: a free, full, unlocked copy of the Android version was provided by the developer for review purposes. As per RetroReactiv8’s Review Policy, this has in no way influenced the content of the review



Recreated ZX Spectrum [Review]


(image from official ZX Recreated website:

Even as a dyed-in-the-wool C64 owner, I had to admit that the Spectrum – with its iconic shape, rainbow stripe and rubber keys – had a way cooler design. Whichever way you cut it, the functional beige breadbin Commodore was never going to win any design awards.

So when I read about the Recreated ZX Spectrum I was intrigued. Promoted as a Bluetooth keyboard for modern tablets designed to look like a full sized reproduction of the Spectrum, it had promise. The fact that veteran games company Elite was behind it was also promising – who better to understand what the Spectrum meant to the retrogaming community than one of its key game development companies from the 80s? Here at last was my chance to own a “Spectrum”, without feeling as if I’d betrayed my beloved C64.

Then came the price announcement: £99.95. Ouch. Way more than I was prepared to pay for the nostalgia blast and more expensive than buying a real Spectrum at the time. Still, I kept an eye on it, and when the price dropped to just under £30, I put my family on notice that it might be something for Father Christmas to stuff in his sack.

Father Christmas duly delivered and, having had a fair amount of time now to try it out, I can report that the Recreated Spectrum essentially consists of two bits. The first is the actual Bluetooth keyboard, compatible with modern devices. The second is an app that allows you to play a number of old Spectrum games for free, along with a further selection that can be purchased via in-app purchases.

Looking at the keyboard first, I was pleasantly surprised by how easy it was to set up. Over the years I’ve had more fights than I care to remember trying to get Bluetooth devices to talk to each other, but this paired with my iPad instantly and has worked ever since. The only slight complication was that there’s a switch used to change modes, depending on whether you want to use it as a proper keyboard or play the games. Mine was initially switched to Game mode – so when I started typing, it put some very odd characters on the screen that bore no resemblance to the letters I’d actually typed! Once I realized what I needed to do (i.e. had read the instructions!), it worked with most of the apps I use with my more standard Bluetooth keyboard.

What surprised me most was how well it actually works as an actual keyboard. Anybody who ever used a Spectrum remembers how difficult it was to type properly and I was expecting this to be the same. In fact, it’s comfortable to use and pretty responsive (with less lag than my previous Bluetooth keyboard). In short, it has the look and feel of a proper Spectrum keyboard without the problems of a real Spectrum keyboard used to create. It’s not perfect – the Spectrum didn’t have all the keys expected of a modern keyboard so various key combinations have been added to give it full functionality, and these can be tricky to remember at first. It’s also not the best keyboard for very fluent typists (and definitely not touch typists because of those different key combinations). Equally, I wouldn’t want to type up long documents, but in this sense it’s no worse than my existing Bluetooth keyboard – and that cost a lot more and looked far less interesting.

Turning to the games, there’s a decent range of titles in both the free pack and the in-app purchases. Sure, there’s nothing you can’t download for free on the internet, but if you don’t own a real Spectrum, this is the closest you are going to get to recreating that full 80s experience. It’s just a shame that the choice of games is limited. The basic app comes with around 20 or so free games, with around the same number available as in-app purchase (at 79p per game). A website gives you access to a wider array of titles but sadly (as ever), there is no SD card allowing you to add more.

There were plans to develop the app and website further, encouraging more developers to make their games compatible with the keyboard, but this never happened so the device never realised its full potential.

What’s prevented this were the inevitable legal wrangles (what is it with the Spectrum and legal disputes?!) First, some developers/copyright holders claimed they were not being paid appropriate royalties and this resulted in app being pulled from the App store for quite some time. Then there was a disagreement between Elite and one of its manufacturing/distribution partners, which saw production and further development stall. By the time all this was ironed out, interest in the product had waned and the remaining units were simply sold off at a much lower price.

This lack of care and attention can be seen in the app. As far as I can tell, it’s pretty much just a legacy app – no development work, updates or new games have appeared for almost three years now. What’s there is fine, but with further development it could have been so much better. Eventually both the Apple and Android versions are going to stop working as the operating systems update, and when that happens, you’ll just be left with a novelty Bluetooth keyboard.

Given the lack of development and new content, it’s a shame the creators are still choosing to charge for the additional games (adding a further outlay of around £10 if you buy them all). As a gesture of goodwill to the retrogaming community, it would have been nice to make all the games free (although in fairness, that might be tied up with the rights issue mentioned above).

The good news though, is that whilst the app does work, you can pick one of these up for about £30 – £70 less than its (rather optimistic) original RRP. At that price, it’s probably just about worth it, although I do live in fear of the day my operating system updates and the app no longer works…

[Note: since writing this review, I’ve discovered that the device is apparently compatible with the FUSE Spectrum emulator. I’ve not had chance to check it out yet, but if it is, this breaks it free from the limited number of included titles and opens up a whole new world of gaming possibilities!]



A Guide to ZX Spectrum Games 1982-1984 [Book Review]

Spectrum games book

A Guide to ZX Spectrum Games 1982-1984 by Shaun McClure and Hilary Wells was one of the many retro gaming goodies Father Christmas brought me this year. As an active combatant in the Playground Wars of the 80s (on the side of the Mighty Commodore 64, of course), I tended not to pay much attention to the Spectrum gaming scene (unless, of course, there was a really rubbish game with which I could taunt my Spectrum owning friends). As such, I missed out on many decent Spectrum titles and was looking forward to reading this book to find out about them.

It has to be said that the book is a bit of a curate’s egg. There are some (many) great things about it… and then there were things that infuriated me. Perhaps the worst thing is that many of the things that infuriated me could easily have been fixed with just a little more care and attention.

There certainly can be no doubting the books ambition. The Spectrum was a long-lived machine and, thick though it is, this book covers just the first two years of its commercial life. It’s packed with mini reviews of over 200 titles and each game has a decent amount of space dedicated to it. Entries are typically 2-3 pages long and usually comprises of a screen shot, an overview of the game alongside the author’s opinion of how the game plays or what it looks or sounds like. It’s a shame that all the screenshots are monochrome, but given how many images there are, it’s entirely understandable that this decision was taken in order to keep the book affordable (a colour version is available, but costs twice).

One of the book’s real strengths is that it displays an impressive breadth of knowledge of the Spectrum scene. Most books of this nature tend to focus in on the usual suspects – the big name titles with which we are all familiar. And sure enough, many of those games appear. At the same time, however, so do more esoteric titles that won’t be as familiar to many readers – and these are given the same 2-3 page coverage. It’s good to see lesser-known games get their moment in the sun, and the authors should be applauded for the broad approach to selection that they have taken.

This does bring me onto Frustration Number One though: which is a long-standing complaint of mine with this type of book. How were the featured games book selected? It doesn’t appear to be an exhaustive list of every Spectrum game released in that year, nor the bestselling ones. Apart from adventure games (which are perhaps disproportionately represented, reflecting the self-confessed love of them from one of the authors), they don’t appear to be the author’s favourite games (since they freely admit to only playing some of them for the first time in order to write this book), so how was the final list arrived at? I don’t have any issue with the titles selected but it would have been nice to learn more about the thought process behind why this game was included, or that one excluded.

Alongside these mini reviews, there are also several developer interviews, which are fascinating to read. Moreover, like the games themselves, the developers themselves are not necessarily the ones you usually see interviewed and it’s good to hear some different voices from the Spectrum scene. McClure and Wells should be congratulated on producing a book that is both comfortable and familiar, yet offers something new.

The entries themselves are good to read. They are informative and often wryly amusing. It feels like the book is a collection of blog entries written by a talented amateur writer. And that is not in any way meant as a criticism: it means that the entries are easy to read and accessible and not too pretentious or academic. Whilst some of the entries might lack a little polish, the passion of the authors for their subject shines through and at the end of the day, that’s what I care about.

True, there was some repetition (I lost count of the number of times the author criticised a game for its graphics with “This is a Spectrum, not a ZX81”; and there were far too many repetitions of how the verb/noun parser of text adventures worked), but this wasn’t too annoying. It could also perhaps have done with some more careful proofreading (particularly someone who knew how to consistently and correctly deploy an apostrophe), but that’s probably just the pedant in me talking!

In fairness, some of this repetition is because it’s not really a book that’s meant to be read from cover to cover, but is better read a few entries at a time. Equally, there is genuine pleasure from taking a more serendipitous approach, just opening the book at a random page and reading whatever you find. Taking this approach makes the repetition far less noticeable (or at least more understandable, since the author doesn’t know what you have/haven’t read at any point which explains the need to describe what Scramble or Berzerk were again much more natural.)

Despite these various gripes, this was a book I enjoyed reading. I learned about many games I’d never played (indeed, often never heard of) and it’s a brave and impressive undertaking with far more to like than dislike. I’m assuming that there will be more volumes covering the Spectrum’s later years and, having read this, I’m certainly looking forward to the next instalment and will be buying it once it’s available.

A Gremlin in the Works (by Mark Hardisty) [Book Review]

Gremlin in the Works slip case

There are retro gaming books and there are retro gaming books.

Then there’s A Gremlin in the Works by Mark Hardisty; the Rolls Royce of the genre

Thanks in part to Kickstarter there have been quite a few recent retro gaming titles focussing on specific software houses or publishers: 2 on Ocean (from Chris Wilkins and Bitmap Books), 1 on US Gold (Chris Wilkins again) and Gary Penn’ Sensible Software retrospective, just to name a few. All are excellent titles, but future publications will need to up their game if they want to match Hardisty’s effort.

The publication just oozes quality. It comes in a cardboard slipcase that holds not one, but two hardback volumes. Volume one covers the early years of Gremlin up to 1990, whilst Volume 2 charts the later years, up to Gremlin’s sale to Infogrames in 1999 and beyond and covers some of the publishers lost or unreleased titles.

Gremlin in the works books

From the very first page, it’s clear that this is no cheap cash-in job. It’s officially endorsed by Gremlin co-founder Ian Stewart and has a lot of input from him and other influential members of the Gremlin team. It looks at some of the development houses whose games Gremlin published and includes the recollections of the in-house programmers from the very earliest recruits, through to those who joined Gremlin when it was already established. Hardisty has even gone to the trouble of tracking down people who only stayed with Gremlin for a very short time or developers who only ever wrote one game for them in order to ensure this is as complete a history as possible.

The length of the book (over 570 pages across the two volumes) means that you never feel short-changed in terms of the content. Different elements of Gremlin’s history are covered in appropriate depth so that you never feel that an issue is being skirted over, but neither do you get bored by too much detail.

The content is presented in a Q&A interview format which works well, making the text short, punchy and very readable. It means that Hardisty can pose a question and then intersperse it with recollections from several of the contributors at once. Hardisty’s input is suitably anonymous – he simply poses the questions and then lets the interviewees speak for themselves.

Of course, this is a celebration of Gremlin as a publisher, so the general tone is pretty upbeat. That said, you don’t’ get the impression that it is a whitewashing of history and (as far as you can tell) the interviewees are being pretty honest. There are several occasions when various personalities admit that they didn’t get on particularly well in the past, or where they criticise some of the Gremlin management’s decision making, or the way they occasionally treated their staff. This tension is perhaps particularly apparent when US Gold’s Geoff Brown (who acquired a majority stake in Gremlin in the late 80s) enters the conversation and it’s fairly clear that his ideas for Gremlin were pretty divisive. There are also occasions when people provide different accounts of the same events, or contradict what someone else has said, demonstrating how people can perceive or experience the same events in very different ways.

The text is nicely broken up by various archival images, including old photographs of the Gremlin offices and teams, contract letters to publish games and royalty statements (if I’d know how much money there was to be made in those days, I might have made a bit more of an effort to learn programming sooner than I did!). These really help to capture the spirit of the times and the extent to which the industry was making things up as it went along, as how it changed over the course of Gremlin’s lifespan.

Moreover, the book is the gift that keeps on giving. A Gremlin in the Works is still a live publication and as Hardisty secures more interviews or writes new content, he sends out periodic updates (appropriately called “an expansion disk”) to new online content.

You’ve probably gathered by now that I really, really, REALLY like this book. I am sitting here genuinely wracking my brains for something negative to say about the publication (just for the sake of balance, you understand). So, for once, I’m going to give up on the negative stuff and stick my neck out and say that A Gremlin in the Works is the best retro gaming book I have read by some distance. If you don’t enjoy it, then you probably owned a Dragon 32 or something.

A Gremlin in the Works is available from the Bitmap Books website for £24.99 which makes it incredible value for money. As I said at the start, from both a content and quality point perspective, it is far and away the best retro gaming book I have read and it’s going to be a hard act for future retrospectives on the 8 and 16 bit software houses to follow.

In summary? Best. Retro. Gaming. Book. Ever.

3D Deathchase (ZX Spectrum) Review


Mostly on this blog I’ve written about C64 and Amiga games because those were the systems I had growing up. However, I also had a friend who had the misfortune to own a Spectrum and occasionally humoured him by going round to his house to play his games. As a Commodore owner, I always felt superior… until one fateful day when he showed me 3D Deathchase.

You rode a motorcycle through a rather dense and inconveniently placed forest. For some reason I can’t remember, you were chasing 2 other motorcyclists that you had to track down and kill (I think they were criminals or drug barons or something) In order to do this, you had to drive at considerable speed, weaving your way between the trees and avoiding crashes. Succeed, and you got to do it all again – only at night time, which made it even trickier.

Of course, no-one really thought they were on a motorbike. Surely it was a speeder bike from Return of the Jedi (released the same year). Incredibly, in just 16k of RAM, this game captured the same sense of exhilaration and speed that Jedi’s (far more expensive) gave you on the big screen. This was better though, because you actually got to control the bike, rather than watch someone else do it.

It’s hard to overstate just how impressive 3D Deathchase was. Hell, it’s still impressive now, over 30 years after its original release. Back in 83 few thought that any 8 bit machine (let along the humble 16k Spectrum) could do convincing 3D, yet here it was. Nor was it just a tech demo – 3D Deathchase was a damn good game to boot – in my humble opinion, it was the Spectrum’s finest hour.


Of course, to achieve this, the graphics were pretty basic, the sky was basically a solid blue (or black) background, the playing area was mainly green and the trees bore more of a resemblance to telegraph poles than real trees. Yet like so many 8 bit games, they did their job. They were sufficient to paint a broad picture of the game’s setting and, with Return of the Jedi fresh in our minds, our brains filled in the detail.

Sophisticated or not, they worked and were an integral part of the game’s success. As the game got tougher, the number and density of the trees increased and the game got faster and faster, increasing your chance of a collision. It made for a brilliant, breath-taking ride as you wove through the forest, flying past the trees and often only avoiding collisions by the skin of your teeth.

The tight controls and collision detection really helped here – both were spot on. As the game got faster, you had less and less time to react. Sometimes you seemed to be in a pretty impossible situation yet right at the last minute you’d take evasive action and avoid a seemingly inevitable collision with a tree. It’s hard to describe how good this felt. I can remember my friend’s parents coming to see what on earth we were up to as we were both so caught up in the moment that we screamed and whooped in delight every time we skimmed past yet another tree or caught up and killed another rider.

3D Deathchase is the perfect example of more is less and a very clear demonstration of something that I’ve often written about in this blog – the critical importance of gameplay. Get that right and you don’t need fancy graphics or sound, or even a particularly complex game; get it wrong and all the graphics in the world aren’t going to help. Apart from its impressive 3D effect, 3D Deathchase is about as simple as a game can get and yet it is the single best game on the Spectrum. Fun and frustrating in equal measure, it is the textbook definition of “just one more go” gameplay.

I’m clearly not alone in my love for 3D Deathchase. Co-incidentally, this month’s Retro Gamer has a feature it and agrees that it is one of the Spectrum’s best games. There have also been a number of remakes over the years by other fans, but whilst these are good, the original remains the purest and the best version. Given the advances there have been in both technology and game design that gives you some idea of how big an achievement this 3D Deathchase was.

Now if you don’t mind, I’ve got a rogue speeder bike (sorry, motorbike) to catch.